Sometimes the most powerful form of resistance is absurdity. In 'The Germ and the Law' the inherent tension of a standoff against police brutality is undercut by a single, bizarre act of non-conformity. The subject's casual posture, juxtaposed with the alert officers, highlights the often surreal theatricality of these clashes.
Photographer
Ian Flanders, Australia
Sometimes the most powerful form of resistance is absurdity. In 'The Germ and the Law' the inherent tension of a standoff against police brutality is undercut by a single, bizarre act of non-conformity. The subject's casual posture, juxtaposed with the alert officers, highlights the often surreal theatricality of these clashes.