This series explores Holy Week not as a liturgical event, but as a stage for visual tensions where the sacred collides with the everyday. Through the aesthetics of street photography, my gaze shifts away from the central iconography to seek out the margins: the physical exhaustion of the penitent, the spontaneous curiosity of childhood, and the transformation of public space into a theater of shadows and extreme contrasts. My interest lies in the visual friction between religious iconography and worldly reality.
